Born in Croatia, Ana Božičević is a poet, translator, teacher and occasional singer. She is the author of Joy of Missing Out (Birds, LLC, 2017), the Lambda Award–winning Rise in the Fall (Birds, LLC, 2013) and Stars of the Night Commute (Tarpaulin Sky Press, 2009). She is the recipient of a 40 Under 40: The Future of Feminism award from Feminist Press and a PEN American Center/NYSCA grant for translating It Was Easy to Set the Snow on Fire by Zvonko Karanović. Božičević received her MFA in poetry from Hunter College. At the PhD program in English at the CUNY Graduate Center, she studied New American poetics and alternative art schools and communities, and edited lectures by Diane di Prima for Lost & Found: The CUNY Poetics Document Initiative. Božičević has taught poetry at BHQFU, Bowery Poetry Club, Harvard, Naropa and the University of Arizona Poetry Center.
Melissa Broder is the author of three collections of poems, Scarecrone (Publishing Genius, 2014), Meat Heart (Publishing Genius, 2012) and When You Say One Thing But Mean Your Mother (Ampersand Books, 2010). By day she works as a publicity manager at Penguin. She holds a BA in English from Tufts University and an MFA in creative writing from the City College of New York, which awarded her the Stark Prize for Poetry and the Jerome Lowell Dejur award. A past editor of La Petite Zine and the curator of the Polestar Poetry Series at Cakeshop, Broder blogs at HTMLGIANT and maintains a rad Twitter @melissabroder.
J. Scott Brownlee’s first full-length book, Requiem for Used Ignition Cap, was selected by C. Dale Young as the winner of the 2015 Orison Poetry Prize. He is also the author of two chapbooks: Highway or Belief, which won the 2013 Button Poetry Prize, and Ascension, which won the 2014 Robert Phillips Poetry Chapbook Prize. A former Writers in the Public Schools Fellow at New York University, Brownlee is a founding member of the Localists, a literary collective that emphasizes place-based writing of personal witness, cultural memory and the aesthetically marginalized working class, both in the United States and abroad. After living in Brooklyn for several years, he currently works for the Wharton School at the University of Pennsylvania, where he is an admissions counselor for the Executive MBA Program.
Nicole Callihan’s debut book of poems, SuperLoop, was published by Sock Monkey Press in 2014. Her chapbook A Study in Spring, co-written with Zoe Ryder White, won the 2015 Baltic Writer’s Residency Chapbook contest, and another chapbook, The Deeply Flawed Human, will be published by Deadly Chaps Press in 2016. A finalist for the Iowa Review’s Award for Literary Nonfiction, she was named Notable Reading for Best American Nonrequired Reading and awarded Best of the Net 2010 for fiction. She has received fellowships from the Rockefeller Foundation and the Ludwig Vogelstein Foundation and also co-authored the nonfiction book Henry River Mill Village. A Senior Language Lecturer at New York University, she lives in Downtown Brooklyn.
Gregory Crosby is the author of the chapbooks Spooky Action at a Distance (The Operating System, 2014) and The Book of Thirteen (Yes Poetry Press, 2016). For more than a decade he worked as an art critic, columnist and cultural commentator in Las Vegas, where he served as a poetry consultant for the Cultural Affairs Division; he was instrumental in the creation of the Poets Bridge public art project in the Lewis Avenue Corridor downtown. He was awarded a Nevada Arts Council Fellowship in Literary Arts and holds an MFA in creative writing from the City College of New York, where he won the 2006 Marie Ponsot Poetry Prize. From 2010–2014 he co-curated the Earshot reading series, and from 2011–2015 he coedited the online poetry journal Lyre Lyre. He is an adjunct associate professor at the John Jay College of Criminal Justice and teaches creative writing at Lehman College–CUNY.
Cynthia Cruz’s first collection, Ruin, was published by Alice James Books in 2006. Her second collection, The Glimmering Room, was published in 2012 and her third collection, Wunderkammer, in 2014 by Four Way Books. Her poems have been published in the New Yorker, Paris Review, Kenyon Review, Boston Review and many other journals, and her essays, art and book reviews have been published in the Los Angeles Review of Books, Rumpus and Hyperallergic. She has taught at many colleges and universities, including the New School, Julliard, Queens College and the Rutgers-Newark MFA Program, as well as with Teachers & Writers Collaborative. She is the recipient of fellowships from Yaddo and the MacDowell Colony and a Hodder Fellowship at Princeton University. She currently teaches at Sarah Lawrence College and is an art editor at Guernica magazine.
Jay Deshpande is the author of Love the Stranger (YesYes Books), named one of the top debuts of 2015 by Poets & Writers. A winner of the Scotti Merrill Memorial Award and Narrative‘s Annual Poetry Contest, he has received fellowships from Kundiman, Civitella Ranieri and the Key West Literary Seminar. His poems have recently appeared in Denver Quarterly, Washington Square, LARB Quarterly Journal and Horsethief. He holds a BA in English from Harvard and an MFA in creative writing from Columbia University. He has taught workshops for Poets House and the Academy of American Poets and currently teaches at Rutgers University and in the MFA program at Columbia University.
Natalie Eilbert is the author of Swan Feast (Coconut Books, 2015) and the chapbooks Conversation with the Stone Wife (Bloof Books, 2014) and And I Shall Again Be Virtuous. (Big Lucks, 2014). Her work has appeared in the New Yorker, Kenyon Review, Tin House, West Branch, Spinning Jenny, Handsome and many other venues. She has taught creative writing at Columbia University and Barnard College and is the founding editor of the Atlas Review. She lives in Greenpoint.
Joanna Fuhrman is the author of five books of poetry, most recently The Year of Yellow Butterflies (Hanging Loose Press, 2015), Pageant (Alice James Books, 2009) and Moraine (Hanging Loose Press, 2006). She is a former poetry editor for Ping Pong and Boog City and served as the Monday-night coordinator for the poetry readings at the Poetry Project from 2001 to 2003 and the Wednesday-night coordinator from 2010 to 2011. She is a graduate of the University of Washington’s MFA program, which awarded her the Academy of American Poets Prize. Her poems have appeared in many journals and anthologies, including the Believer, Fence and the Brooklyn Poets Anthology. Her poem “Stagflation” won a 2011 Pushcart Prize. Fuhrman has been teaching for more than twenty years and currently teaches poetry writing at Rutgers University and Sarah Lawrence College’s Writers Village for teenagers.
Sarah Gerard is the author of the novel Binary Star, which NPR calls “a hard, harrowing look into inner space,” as well as two chapbooks, BFF and Things I Told My Mother. An essay collection, Sunshine State, is forthcoming. Her short fiction, essays, interviews and criticism have appeared in the New York Times, New York Magazine‘s “The Cut,” Joyland, the Paris Review Daily, BOMB Magazine and elsewhere. She holds an MFA in fiction from The New School, teaches writing in New York and writes a monthly column on artists’ notebooks for Hazlitt. She lives in Ditmas Park.
Jessica Greenbaum’s first book, Inventing Difficulty, was awarded the Gerald Cable Prize and praised by George Steiner as a “first book by a poet very much to be listened to.” Her second book, The Two Yvonnes, was chosen by Paul Muldoon for the Princeton Series of Contemporary Poets and recognized by Library Journal as one of the Best Books of Poetry in 2012. She is the recipient of the 2016 Alice Fay di Castagnola Award from the Poetry Society of America and a 2015 fellowship from the NEA. She teaches in the World Trade Center’s Health Program for 9/11 first responders and at Barnard College. She has been the poetry editor of upstreet since 2004 and lives in Fort Greene.
Rachel Eliza Griffiths is a poet and visual artist. She is the author of Lighting the Shadow (Four Way Books, 2015), Miracle Arrhythmia (Willow Books, 2010), The Requited Distance (Sheep Meadow Press, 2011) and Mule & Pear (New Issues, 2011), which was awarded the 2012 Inaugural Poetry Award by the Black Caucus of the American Librarian Association. The recipient of fellowships from the Cave Canem Foundation, Provincetown Fine Arts Work Center, Millay Colony and Vermont Studio Center, her visual and literary work has appeared in American Poetry Review, Poets & Writers, Mosaic, Folio, American Poet and elsewhere. Currently, she teaches creative writing at Sarah Lawrence College and lives in Carroll Gardens.
Marwa Helal is a poet and journalist. She is the author of I Am Made to Leave I Am Made to Return (No, Dear/Small Anchor Press, forthcoming 2017) and Invasive species (Nightboat Books, forthcoming 2019). Her work has appeared in Apogee, Hyperallergic and Poets & Writers, among other journals, and is forthcoming in the anthologies Bettering American Poetry 2016 and Best American Experimental Writing 2018. She is the winner of BOMB Magazine’s Biennial 2016 Poetry Contest and has been awarded fellowships from Poets House, Brooklyn Poets and Cave Canem. Helal received her MFA in creative nonfiction from the New School and her BA in journalism and international studies from Ohio Wesleyan University. Born in Al Mansurah, Egypt, she currently lives and teaches in Brooklyn.
JP Howard is the author of SAY/MIRROR (The Operating System, 2016), a 2016 Lambda Literary finalist, and the chaplet bury your love poems here (Belladonna*, 2015). She has received a Lambda Emerging Writer Award and was a finalist for the 2017 Split This Rock Freedom Plow Award for Poetry & Activism and is featured in the 2017 Lesbian Poet Trading Card Series (Headmistress Press). The winner of fellowships from Cave Canem, VONA and Lambda, she curates the Women Writers in Bloom Poetry Salon and has facilitated numerous writing workshops for Apogee, the Brooklyn Community Pride Center, City College and others. Howards holds a BA in English from Barnard College, a JD from Brooklyn Law School and an MFA in creative writing from City College.
Modesto “Flako” Jimenez is a Dominican-born actor, writer and arts educator raised in Brooklyn. He is the author of the poetry collection Oye, Para Mi Querido Brooklyn (Listen, For My Dear Brooklyn) and has performed on stage with the Wooster Group and Repertorio Español in New York. He starred in the lead role in Alexandra Collier’s Take Me Home, an immersive theater piece set inside a cab (which he drove), garnering rave reviews from the New York Times, the New Yorker and Time Out New York. Board Vice President of Brooklyn Poets, Jimenez is also the founder and executive director of Oye Group, an eclectic artist collective presenting annual showcases of new work in theater, dance, poetry and film that spark dialogues on critical issues of immigration, economics and urban survival.
Vanessa Jimenez Gabb is the author of Images for Radical Politics, which was the Editor’s Choice in the 2015 Rescue Press Black Box Poetry Contest, and the chapbooks midnight blue and Weekend Poems. Her work has appeared or is forthcoming in such places as Time Out NY, jubilat, Sixth Finch, VIDA, Big Lucks, Bone Bouquet and the Brooklyn Poets Anthology, and in 2012 she cofounded the literary project Five Quarterly. She holds an MFA in poetry from Brooklyn College–CUNY, where she was the recipient of the 2010 Himan Brown Award, and she has taught English and creative writing at St. John’s University and Newark Academy, where she is currently on faculty. She is from and lives in Brooklyn.
Patricia Spears Jones is the author of four full-length poetry collections, most recently A Lucent Fire: New and Selected Poems (White Pine Press, 2015) and four chapbooks, as well as two plays commissioned and produced by Mabou Mines, the acclaimed experimental theater company. The recipient of awards from the Foundation for Contemporary Arts, the NY Community Trust and the Goethe Institute, as well as grants from the NEA and NYFA, she participated as a mentor in the first year of Emerge-Surface-Be, a new fellowship program at St. Mark’s Poetry Project, where she was the Program Coordinator from 1984-86. She has taught poetry workshops for Cave Canem, the Poetry Project and Poets House and is currently a lecturer at LaGuardia Community College.
Simone Kearney is the author of My Ida (Ugly Duckling Presse, forthcoming 2017) and In Threes, a limited edition artist chapbook (Minute BOOKS, 2013). She was a 2014 recipient of a New York Foundation for the Arts fellowship in poetry, and a 2010 recipient of an Amy Award from Poets & Writers. She holds an MFA in creative writing from Hunter College and an MFA in painting from the Maryland Institute College of Art. She has been awarded residencies at the Lighthouse Works, the Josef and Anni Albers Foundation, the Edward F. Albee Foundation, the Woodstock Brydcliffe Guild, and Ragdale. She currently teaches at Parsons School of Design and Ramapo college.
Named one of the “100 Most Influential People in Brooklyn Culture” by Brooklyn Magazine, Jason Koo is the founder and executive director of Brooklyn Poets and creator of the Bridge. He is the author of More Than Mere Light (Prelude Books, forthcoming 2018), America’s Favorite Poem (C&R Press, 2014) and Man on Extremely Small Island (C&R Press, 2009), and coeditor of the Brooklyn Poets Anthology. The winner of fellowships from the National Endowment for the Arts, Vermont Studio Center and New York State Writers Institute, he earned his BA in English from Yale, his MFA in creative writing from the University of Houston and his PhD in English and creative writing from the University of Missouri-Columbia. He is an assistant teaching professor of English at Quinnipiac University and lives in Williamsburg.
Debora Kuan is the author of XING (Saturnalia Books, 2011) and Lunch Portraits (Brooklyn Arts Press, 2016). She has been awarded residencies at Yaddo, Macdowell and the Santa Fe Art Institute and is the recipient of a Fulbright creative writing fellowship and a Bread Loaf Writers’ Conference scholarship, among other awards. She has written about contemporary art, books and film for Artforum, Art in America, Modern Painters and other publications. She was both a nonfiction and fiction fellow at the CUNY Writers’ Institute from 2010–2012 and has taught at the University of Iowa, the College of New Jersey and New York Institute of Technology. She lives in Brooklyn with her husband and daughter.
Dorothea Lasky is the author of Rome (Norton/Liveright, 2014), Thunderbird (Wave, 2012), Black Life (Wave, 2010) and Awe (Wave, 2007), as well as five chapbooks: Poetry Is Not a Project (Ugly Duckling Presse, 2010), Tourmaline (Transmission Press, 2008), The Hatmaker’s Wife (Braincase Press, 2006), Art (H_NGM_N Press, 2005) and Alphabets and Portraits (Anchorite Press, 2004). She holds an MFA in poetry from the University of Massachusetts-Amherst, an EdM in Arts in Education from Harvard and an EdD in Creativity and Education from the University of Pennsylvania. She is an assistant professor of poetry at Columbia University’s School of the Arts and lives in Bed-Stuy.
Sheila Maldonado is the author of one-bedroom solo (Fly by Night Press, 2011) and that’s what you get, forthcoming from Brooklyn Arts Press. She is a CantoMundo Fellow and a Creative Capital awardee as part of desveladas, a visual writing collective. She has served as an artist-in-residence on Governors Island for the Lower Manhattan Cultural Council and as a Cultural Envoy to Honduras for the US State Department. She teaches creative writing for the City University of New York and holds degrees in English from Brown University and poetry from the City College of New York. She grew up in Coney Island and lives in Washington Heights.
David Tomas Martinez’s debut collection of poetry, Hustle (Sarabande Books, 2014), won the New England Book Festival’s prize in poetry. His work has been published or is forthcoming in Poetry, Ploughshares and Oxford American, among many other journals, and he has been featured or written about in Poets & Writers, Publishers Weekly, NPR’s All Things Considered and other venues. A Bread Loaf and CantoMundo Fellow, Martinez received his MFA from San Diego State University and is currently a PhD candidate in poetry at the University of Houston, where he is the Reviews and Interviews Editor for Gulf Coast. He lives in Clinton Hill.
Monica McClure’s debut collection, Tender Data, was published by Birds, LLC in 2015. She is also the author of the chapbooks Mood Swing (Snacks Press, 2013) and Mala (Poor Claudia, 2014). She studied fiction, poetry, art history and literary theory at DePauw University and earned her MFA in poetry from New York University. With Brenda Shaughnessy, she is currently editing the anthology Both and Neither: Biracial American Writers. She curates the Atlas Reading Series, a collaboration series of visual artists and poets, and helps edit the Atlas Review.
Joshua Mehigan’s second book, Accepting the Disaster, was published by Farrar, Straus and Giroux in 2014 and has since been cited as a best book of the year in the New York Times Book Review, the Times Literary Supplement and other publications. Mehigan’s first book, The Optimist, was a finalist for the 2004 Los Angeles Times Book Prize. His poems have appeared in the New Yorker, New York Times, Village Voice and Poetry, which awarded him its 2013 Levinson Prize. The recipient of fellowships from the Guggenheim Foundation and the National Endowment for the Arts, Mehigan teaches creative writing at the College of Staten Island and is a faculty member of Poetry by the Sea: A Global Conference. He lives in Windsor Terrace.
John Murillo’s first poetry collection, Up Jump the Boogie, was a finalist for both the 2011 Kate Tufts Discovery Award and the PEN Open Book Award. His other honors include a 2011 Pushcart Prize, two Larry Neal Writers Awards, and fellowships from the National Endowment for the Arts, the Cave Canem Foundation, the New York Times, the Wisconsin Institute of Creative Writing, Bread Loaf Writers Conference, and the Fine Arts Work Center in Provincetown, Massachusetts.
Miller Oberman‘s first book, The Unstill Ones, a collection of original poems and Old English translations, was chosen by Susan Stewart for the Princeton Series of Contemporary Poets and will be published in the fall of 2017. A former Ruth Lilly Fellow as well as a 2016 winner of the 92nd St Y’s Boston Review/Discovery Prize, his translation of selections from the “Old English Rune Poem” won Poetry’s John Frederick Nims Memorial Prize for Translation in 2013. Oberman has poems and translations forthcoming in Poetry, Harvard Review, Tin House and the Nation, and he is currently finishing The Ruin, a collection of poems and Old English translations. He has taught workshops in poetry, poetics and fiction at Georgia College and the University of Connecticut, where he is completing his PhD in English. He lives in Brooklyn with his wife, rock singer Louisa Rachel Solomon of the Shondes.
Joe Pan is the author of two collections of poetry, Hiccups (Augury Books, 2015) and Autobiomythography & Gallery (BAP, 2011). He is the editor-in-chief and publisher of Brooklyn Arts Press, serves as the fiction editor for the arts magazine Hyperallergic and is the founder of the services-oriented activist group Brooklyn Artists Helping. His piece “Ode to the MQ-9 Reaper,” a hybrid work on drones, was excerpted and praised in the New York Times. In 2015 Pan participated in the Lower Manhattan Cultural Council’s Process Space artist residency program on Governors Island. He attended the Iowa Writers’ Workshop, grew up along the Space Coast of Florida and now lives in Williamsburg.
V. Penelope Pelizzon is the author of two books of poetry: Whose Flesh Is Flame, Whose Bone Is Time (Waywiser, 2014) and Nostos (Ohio University Press, 2000), winner of the Hollis Summers Prize and the Poetry Society of America’s Norma Farber First Book Award. She is also the author of Human Field, winner of the Center for Book Arts 2012 poetry chapbook award, and co-author of Tabloid, Inc.: Crimes, Newspapers, Narratives (Ohio State University Press, 2010). Her awards include an Amy Lowell Poetry Traveling Scholarship, a Lannan Foundation Writing Residency Fellowship and a “Discovery”/The Nation Award. She is an associate professor of English at the University of Connecticut.
Danniel Schoonebeek is the author of Trébuchet (University of Georgia Press, 2016), a 2015 National Poetry Series selection, American Barricade (Yes Yes Books, 2014) and Family Album (Poor Claudia, 2014), as well as an EP of recorded poems, Trench Mouth, (Black Cake Records, 2014). The recipient of a 2015 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation, his recent work has appeared in Poetry, Tin House, Boston Review, the New Yorker and elsewhere. He hosts the Hatchet Job reading series in Brooklyn and edits the PEN Poetry Series.
Jeff Simpson is the author of Vertical Hold (Steel Toe Books, 2011), a finalist for the National Poetry Series, and The Morrill Hall Sessions, a free audio chapbook. In 2010, he founded The Fiddleback, an online journal of literature and art. His work has appeared in many journals and magazines, including Prairie Schooner, Poet Lore and Copper Nickel, among others. He holds an MFA in poetry from Oklahoma State University, where he was twice awarded the Academy of American Poets Prize. He has taught creative writing and literature at Oklahoma State University, Old Westbury–SUNY and Queens College–CUNY. He is the multimedia producer for the Academy of American Poets and lives in South Slope.
Emily Skillings is the author of two chapbooks: Backchannel (Poor Claudia) and Linnaeus: The 26 Sexual Practices of Plants (No, Dear/ Small Anchor Press). Her first full-length collection of poetry, Fort Not, will be published by the Song Cave in 2017. Recent poems can be found or are forthcoming in the Brooklyn Rail, Hyperallergic, LitHub, Jubilat, Pleiades, Phantom Limb, Philadelphia Review of Books and Washington Square. The recipient of a 2017 Pushcart Prize, she is an MFA candidate at Columbia University, where she is a 2017 Teaching Fellow, and organizes the Earshot reading series with Allyson Paty. She lives in Brooklyn, where she is a member of the Belladonna* Collaborative, a feminist poetry collective and event series.
Sampson Starkweather is the author of PAIN: The Board Game (Third Man Books, 2015) and The First Four Books of Sampson Starkweather. He is a founding editor of Birds, LLC, an independent poetry press. He is also the author of nine chapbooks, most recently Until the Joy of Death Hits, pop/love audio-visual GIF poems from Spork Press; Flux Capacitor, a collaborative audio poetry album from Black Cake Records; and Flowers of Rad, published by Factory Hollow Press. He lives in Ditmas Park.
Working at the intersection of literature and activism, Leigh Stein is the author of three books and the cofounder and executive director of Out of the Binders, a 501(c)(3) nonprofit dedicated to advancing the careers of women and gender variant writers. Her début novel The Fallback Plan made the “highbrow brilliant” quadrant of New York Magazine‘s Approval Matrix, and her poetry collection Dispatch from the Future was selected for Publishers Weekly’s Best Summer Books of 2012 list and the Rumpus Poetry Book Club. Land of Enchantment, her memoir about young love, obsession, abuse and loss, is just out from Plume. For her advocacy work, she has been called a “leading feminist” by the Washington Post and was honored as a “woman of influence” by New York Business Journal.
Bianca Stone is a poet and visual artist. She is the author of Someone Else’s Wedding Vows (Tin House/Octopus Books, 2014) and several poetry and poetry comic chapbooks, including Poetry Comics from the Book of Hours (Pleiades Press, 2016), I Saw The Devil With His Needlework (Argos Books, 2012), and I Want To Open The Mouth God Gave You, Beautiful Mutant (Factory Hollow Press, 2012). She is also the illustrator of Antigonick, a collaboration with Anne Carson. She is the editor of Monk Books, a small press that publishes limited-edition chapbooks of poetry and art, and the chair of the Ruth Stone Foundation, an organization honoring the work of her grandmother, poet Ruth Stone.
Paige Taggart is the author of two full-length poetry collections, Or Replica (Brooklyn Arts Press, Dec 2014) and Want for Lion (Trembling Pillow Press, March 2014), and five chapbooks, most recently I Am Writing To You from Another Country: Translations of Henri Michaux (Greying Ghost Press). She graduated with a BA in Visual Studies from California College of the Arts and went on to complete an MFA in Creative Writing at the New School. She was a 2009 NYFA fellow and is the founder of Mactaggart Jewelry.
Joanna C. Valente is the author of Sirs & Madams (Aldrich Press, 2014), The Gods Are Dead (Deadly Chaps Press, 2015), Marys of the Sea (ELJ Editions, 2016) and Xenos (Agape Editions, 2017). She is also the editor of A Shadow Map: An Anthology by Survivors of Sexual Assault (CCM, 2017). Some of her work appears or is forthcoming in the Huffington Post, Columbia Journal, Similar Peaks, Paris-American, BORT Quarterly and Tinderbox, among other places. She earned her MFA at Sarah Lawrence College and in 2011 received the American Society of Poets Prize. She is the founder of Yes, Poetry and a managing editor for Luna Luna and CCM. She lives in Sunset Park.
R.A. Villanueva’s debut collection of poetry, Reliquaria, won the Prairie Schooner Book Prize (University of Nebraska Press, 2014). New work appears in Poetry, Guernica, American Poetry Review and widely elsewhere. His honors include a commendation from the 2016 Forward Prizes, an inaugural Ninth Letter Literary Award and fellowships from Kundiman, the Saltonstall Foundation for the Arts and the Asian American Literary Review. He holds graduate degrees from Rutgers University and New York University and has taught writing at high schools and universities and for arts organizations in the United States and abroad. A founding editor of Tongue: A Journal of Writing & Art, he lives in Brooklyn.
Wendy Xu is the author of You Are Not Dead (Cleveland State University Poetry Center, 2013) and several chapbooks. Selected by D.A. Powell for the 2011 Patricia Goedicke Prize in Poetry, her recent work has appeared in Best American Poetry, Poetry, Denver Quarterly, Gulf Coast, Guernica, Black Warrior Review, Hyperallergic, The Volta and elsewhere. She was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Fellowship by the Poetry Foundation in 2014. She lives in Bushwick and teaches writing at CUNY.
Bill Zavatsky is the author of Where X Marks the Spot, For Steve Royal and Other Poems and Theories of Rain and Other Poems. With Zack Rogow, he co-translated Earthlight: Poems by André Breton, which won the PEN/Book-of-the-Month Club Translation Prize; with Ron Padgett he co-translated The Poems of A.O. Barnabooth by Valery Larbaud. For many years he served as the director of SUN, a literary press, as well as SUN magazine, and taught in the high school at the Trinity School in Manhattan. He has also taught workshops for Teachers & Writers Collaborative, the Poetry Project and Poets House, among other places. He currently teaches a walk-in poetry workshop at the Morningside Heights Library on the Upper West Side.
Jenny Zhang is the author of the poetry collection Dear Jenny, We Are All Find (Octopus Books, 2012). Her fiction, nonfiction and poetry have appeared in Fence, Pen American, Jezebel, The Guardian and Vice, among other venues. She’s a regular contributor to Rookie and was a 2012-2013 Workspace writer-in-residence at the Lower Manhattan Cultural Council. She holds degrees from Stanford University and the Iowa Writers’ Workshop, where she was awarded a Teaching-Writing Fellowship and a Provost Fellowship, and has taught fiction, nonfiction and poetry at Iowa, the New School and Sackett Street Writers’ Workshop. She currently teaches high school students in the Bronx and lives in Williamsburg.